At Re:SET, the artist known otherwise as Claire Cottrill balanced out that lo-fi charm with playful confidence while hopping between instruments and looks. He and his band were followed by Baltimore-based “military brat” Dijon, whose raw, earnest voice on tracks like “Coogie”, “The Dress”, “Dance Song”, “Big Mike’s”, and “Rodeo Clown” echoed early Bon Iver while matching perfectly with his band’s garage-recording-studio setup.Ĭlairo is now nearly six years removed from her own DIY hit, “Pretty Girl”, launching her music career into the stratosphere. There was Oklahoma’s own Bartees Strange, who rocked out to “Stone Meadows”, “Heavy Heart”, and “Boomer”. And with Foushee already in the house, Steve made sure to bring her out for “Sunshine”.Ĭome Saturday, boygenius had a trio of young up-and-comers open the proceedings. With songs like “Bad Habit”, “Mercury”, “Lay Me Down”, “Ryd”, and “Hate CD”, the Compton native brought his brand of sexy, tongue-in-cheek R&B to bear on a crowd that crooned along with every word. While Steve Lacy couldn’t quite match the skillful precision of his direct opener, he didn’t have any trouble working the youthful audience into a tizzy. From the wobbling bass of “Limit To Your Love” and “Retrograde” and crunchy hip-hop rhythms of “Life ‘Round Here” and “Mile High”, to the Metro Boomin-assisted newness of “Hummingbird”, a heartfelt cover of Bill Withers’ “Hope She’ll Be Happier”, and his own Frank Ocean’s “Godspeed” (which Blake produced), James nailed every note with aplomb, as he is wont to do. ![]() With two of his longtime friends and bandmates by his side, the Londoner sat behind his setup of keys and mixers to meld sonic highs and lows as only he can. The shift from day to night-and from the swelter of the Arroyo Seco to the chill of a Pasadena evening-was ushered in by the angelic voice of James Blake. She ceded the stage to Toro y Moi, with lead singer Chaz Bear guiding a giddy crowd through a growing catalog of chillwave hits that now includes “The Difference”, “Magazine”, “Ordinary Pleasure”, “Laws of the Universe”, “Freelance”, and “Girl Like You”. The New Jersey native ranged from emotional whispers of her breakout hit, “Deep End”, to a heartfelt rendition of Frankie Valli’s “Can’t Take My Eyes Off You”. Foushee started off the proceedings with a mesmerizing solo set showcasing her versatile vocals and multi-instrumental talents. The first Friday of June featured Steve Lacy and his chosen set of supporting acts. During the opening weekend of Re:SET, that grouping included three locations in California: Frost Amphitheater at Stanford in the Bay Area, Thrive Park at Snapdragon Stadium in San Diego, and the familiar Brookside at the Rose Bowl in Pasadena.ĭespite a handful of hiccups and seemingly minor mishaps, the Los Angeles edition turned out to be a tantalizing proof of concept for Goldenvoice. Rather than lugging all 12 artists from one location to the next, Goldenvoice scheduled weekends by region, with each quartet of acts rotating daily. The inaugural edition saw Steve Lacy choose James Blake, Toro y Moi, and Foushee as undercards boygenius opt for Clairo, Dijon, and Bartees Strange and LCD Soundsystem bringing along Jamie xx, IDLES, and Big Freedia. The areas where Goldenvoice has, well, reset expectations and operations for a tour of this sort are manifold.įor one, each stop consists of three days of music, with a headliner playing an active part in curating who gets booked. With this year’s Re:SET Concert Series, Goldenvoice and the series’ presenter AEG have once again embarked on an ambitious project to redefine-if not revolutionize-what a music festival can be.Īs with touring festivals of the past, like Warped Tour and Rock The Bells, Re:SET brings a consistent lineup from stop to stop, entertaining fans across the country all the while. ![]() ![]() More recently, the producers of the world’s pre-eminent music and arts festival have expanded their house of brands to include a growing slew of genre- and generation-specific events, from the country-friendly ( Stagecoach, Palomino Festival) and the hip-hop-oriented ( Cali Vibes, Day N Vegas, Camp Flog Gnaw Carnival), to indie ( This Ain’t No Picnic, Just Like Heaven), electronica ( Splash House, Portola Music Festival) and punk rock ( Cruel World). Over the past two-plus decades, Goldenvoice has played a leading role in the rise of the modern live music industry by way of its stewardship of Coachella.
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